Jul 2026

Jul 086:15 pm - 9:15 pm

Repetition Practice with John Beschizza

Repetition Practice with John Beschizza

“The foundations of acting lie in the reality of doing” Sanford Meisner

Jul 096:15 pm - 9:15 pm

Free Choice Monologues with Annie Tyson

Free Choice Monologues with Annie Tyson

A chance to explore afresh a speech you already know or to work on a new one

Jul 1110:00 am - 1:00 pm

Repetition Practice with John Beschizza

Repetition Practice with John Beschizza

“The foundations of acting lie in the reality of doing” Sanford Meisner

Jul 112:00 pm - 5:00 pm

Repetition Practice PLUS: Endowments. with John Beschizza

Repetition Practice PLUS: Endowments. with John Beschizza

“The foundations of acting lie in the reality of doing” Sanford Meisner

Jul 226:15 pm - 9:15 pm

Repetition Practice with John Beschizza

Repetition Practice with John Beschizza

“The foundations of acting lie in the reality of doing” Sanford Meisner

Jul 2510:00 am - 1:00 pm

Repetition Practice with John Beschizza

Repetition Practice with John Beschizza

“The foundations of acting lie in the reality of doing” Sanford Meisner

Jul 252:00 pm - 5:00 pm

Advanced Repetition Practice with John Beschizza | MEMBERS ONLY

Advanced Repetition Practice with John Beschizza | MEMBERS ONLY

“The foundations of acting lie in the reality of doing” Sanford Meisner

Jul 262:00 pm - 5:30 pm

The Imaginary Orchestra with John Beschizza

The Imaginary Orchestra with John Beschizza

“The foundations of acting lie in the reality of doing” Sanford Meisner

Jul 296:15 pm - 9:15 pm

Repetition Practice with John Beschizza

Repetition Practice with John Beschizza

“The foundations of acting lie in the reality of doing” Sanford Meisner

Jul 306:15 pm - 9:15 pm

Scene Exploration with Annie Tyson

Scene Exploration with Annie Tyson

A free choice scene study class for professional actors to explore material that excites and challenges

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IMPORTANT

 

We know that there are sometimes issues with transport in London over which we have no control and we are grateful to those actors who let us know that they will be late because of this. However, it is important for us to be able to begin classes on time so that the best use is made of the sessions, and once the work is in progress the flow is not interrupted by latecomers. This is simply so that participants’ explorations are not disrupted. It can be quite difficult to get back on track.

To this end we believe that a 10 minute lateness window/ grace is permissible but after that it will not be possible to admit you into the class, and there will be no refund. This is very much the American Studio model.

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